A billboard to promote the HBO series “Big Love” in Los Angeles has jacks for headphones, so passers-by can hear its messages.
To promote the new season of "Big Love," a drama about a polygamous family in Utah, HBO is installing billboards in New York and Los Angeles that feature headphone jacks that allow passers-by to plug in and listen to people confess secrets. The campaign, by BBDO New York and other shops, is based around the tagline, "Everyone Has Something to Hide," and also includes a microsite and performing street teams in major cities.
L'ultimo spot della Lancia (gruppo Fiat) è un tributo a Aung San Suu Kyi. Premio Nobel per la pace, è stata negli ultimi 12 anni in carcere in Myanmar per la sua attività di leader del National League for Democracy. Ma la Fiat non aveva dovuto scusarsi con la Cina per lo spot con Richard Gere e il Tibet? E il suo portavoce Olivier Francois non aveva ripetuto che 'Il gruppo Fiat si dichiara neutrale rispetto a tutte le questioni ideologiche e politiche, e si scusa con la Cina e il popolo cinese'? Allora, o la Fiat si tiene neutrale, e allora non usa un simbolo della lotta per i diritti civili come Aung San Suu Kyi, oppure si schiera, e allora non si scusa con il primo che fa la voce grossa. Vedi articolo sul Wall Street Journal
This is an advert from Pfizer in response to research which found one in 10 men in the UK purchase prescription-only medicines from unregulated sources such as internet sites, every year. It is estimated that between 50-90 per cent of medicines sold in this way have proven to be counterfeit which means they are taking a real gamble with health. For more information visit www.realdanger.co.uk
Client: Pfizer Agency: Langland Creative Director: Andrew Spurgeon Agency Producer: Nigel Foster Production Company: Outsider Director: Henry Littlechild Director of Photography: Stuart Graham Producer: Ben Roberts Editorial Company: Final Cut Editor: Joe Guest Post Production: The Mill
Very, very trashy. By Award (Australian Writers and Art Directors Association).
Director/Writer: Jim Hosking - Production Company: Revolver, Sydney - Executive Producers: Michael Ritchie (Revolver), Shawn Lacy (Biscuit Filmworks USA), Colleen O'Donnell (Biscuit Filmworks USA) - Line Producer: Laure Stevens - Director of Photography: Mårten Tedin - Production Designer: Mark Benson - Stylist: Pamela Encardona - Editor: Mark Burnett, The Editors
January 15th, 11 am, Liverpool Station in London. 350 dancers for the shooting of the new T-Mobile ad. In just four days, it has nearly 900,000 views on YouTube. It also has nearly 2,500 ratings - averaging the full five stars. So it clearly works - people like it, and they're sharing it.
The last Lynx commercial by BBH. I'm fed up of cavemens.
Agency: BBH, London, UK Creative Director: Rosie Arnold, Johan Tesch Art Director: Adam Thompson Copywriter: Dan Glover-James Agency Producer: Georgina Kent Production Company: Passion Productions Director: Mike Mort Music Artist: Cody Chestnut Song: Look Good in Leather
How many of the hidden Ford Ka do you spot in this commercial? People on Youtube have seen 56. Including the last one.
Agency: Ogilvy Advertising Agency Producer: Kim Parrett Creative: Jason Mendes; Andrew Wyton Director: Noah Harris Production: Blinkink Producer: Andrew Studholme Director of Photography: Alex Barber Post Production: Glassworks London Brand: Ford KA
1,200 New Yorkers ride the subway without pants in a snow storm. This is one of over 80 different missions Improv Everywhere has executed over the past six years in New York City. Others include Frozen Grand Central, the Best Buy uniform prank, and the famous U2 Rooftop Hoax.
Client: Nike Latin America Title: Wake Up Call Agency: Wieden + Kennedy, Portland Production Company: Park Pictures, Los Angeles Director: Lance Accord
Doritos ha deciso da qualche anno di tagliare le agenzie e far creare ai suoi consumatori gli spot da mandare al superbowl. Quest'anno ne sono arrivati centinaia, e questi sono i finalisti. Niente male, devo dire, anche in termini di realizzazione. C'è anche una sorprendente coerenza nella strategia creativa. I mei preferiti sono Free Doritos, Power of the crunch e Too delicious. Il vincitore sarà rivelato solo il giorno del Superbowl, cioè il 1 febbraio. E, se lo spot sarà il più gradito secondo l'AD Meter di USA TODAY, vincerà 1 milione di dollari.
Having long ago concluded it never has to finance another agency-produced ad EVER AGAIN, Doritos announced the five finalists of this year's "Crash the Super Bowl" contest. The winner won't be revealed, even to the finalists, until Super Bowl Sunday, when the spot appears on national TV. And if the ad tops USA TODAY'S annual Ad Meter, the creators also win $1 million.
They are:
1. "Free Doritos," Joe Herbert, Batesville, IN 2. "New Flavor Pitch," Oren Brimer, New York, NY 3. "Power of the Crunch," Eric Heimbold, Venice, CA 4. "The Chase," Chris Roberts, Burbank, CA 5. "Too Delicious," Michael Goubeaux, Los Angeles, CA
Internet-based travel provider Expedia in Germany had some great flight deals to Italy on offer and wanted to publicise them in a subtle and low-cost way. There are few things more Italian than the cappuccino, so Expedia decided to target people drinking them in cafes. As a result of positive feedback, the Italy special will be repeated next year.
Client: Skittles Agency: TBWAChiatDay New York Executive Creative Director: Gerry Graf Group Creative Director: Ian Reichenthal, Scott Vitrone Art Director: Craig Allen Copywriter: Eric Kallman Senior Agency Producer: Nathy Aviram Production Company: MJZ Director: Tom Kuntz Producer: Scott Kaplan Editorial Company: Mackenzie Cutler Editor: Gavin Cutler VFX Company: The Mill Flame Artist: Angus Kneale Telecine: Company 3 Colorist: Tim Masick
Riprendo da Disruption la classifica stilata da Goviral la classifica dei 10 virali più visti in Italia. Tutti erano già stati inclusi in Creativityblab, tranne Extreme Street Football.
1. Wassup 2008
U.S. Election Creative agency: Charles Stone III. Average views / day: 306,416 - Total views: 6,189,125
2. SFW XXX Party Invitation
Diesel Creative agency: The Viral Factory Average views / day: 116,387 - Total views: 6,497,507
3. Kobe Bryant jumps over an Aston Martin
Nike Average views / day: 37,681 - Total views: 8,553,382
4. Extreme Street Football
Electronic Arts Creative agency: Wieden + Kennedy Average views / day: 34,670 Total views: 10,400,565
5. Take it to the next level
Nike Creative agency: 72andSunny Average views / day: 28,029 - Total views: 5,937,406
6. Tiger Woods 09 – Walk on Water Electronic Arts Creative agency: Wieden + Kennedy Average views / day: 26,568 - Total views: 2,550,394
7. Bean Counter Apple Macintosh Creative: TBWA/Media Arts Lab Average views / day: 23,451 - Total views: 820,662
8. Samsung Omnia i900 Unboxing Samsung Creative agency: The Viral Factory Average views / day: 21,465 Total views: 2,082,054
9. Fate – Leave Nothing Nike Creative agency: Wieden + Kennedy Average views / day: 21,208 - Total views: 929,010
10. Adam and Eve
Central Beheer Creative agency: DDB, Amsterdam Average views / day: 12,072 - Total views: 2,136,497
Everybody deserves a good start. Nice ad from Argentina.
Anunciante Supermercados Disco País Argentina Agencia 141 Yunes Direccion General Creativa Silvio Freytes / Pablo Di Patrizio Supervisor de Cuentas Carlos Mancini Redacción Silvio Freytes, Pablo Di Patrizio Equipo creativo Marcos Zabala, Valeria Graziano, Fernando Diez de los Ríos Producción por la agencia Rodrigo Acosta Dirección de cuentas Marcelo Maurizio Compañía productora Prisma Dirección Pablo Brusa Sonido Estudios Multimedia Banda musical Estudios Multimedia
Non ho ancora capito se mi piace,ma il tipo che nasce tutto unto e con gli occhiali da sole mi sembra di una pirlaggine così trascendentale che merita di essere visto un paio di volte.
Brand: Ray-Ban Agency: Cutwater Director: Minivegas Production Company: Anonymous Content
Quando ero un ragazzino avevo due libroni bellissimi che insegnavano a costruire giochi. Mi ricordo che la partenza era sempre una scatola da scarpe. Ci si facevano dei flipper, dei teatrini, dei grattacieli. Era la disperazione di mia madre che non trovava più le scatole per archiviare le scarpe dell'inverno. Poi sono passato agli scatoloni di cartone ondulato. Una libidine. We've unboxed the box è la head di questo nuovo filmato per la Audi Q5, che appare nella versione inglese. Le metafore sulla progettazione delle auto abbondano: si sono visti i pasticceri di Skoda, i fili della stessa Audi, i pezzi di cubo di rubik per Honda, gli strumenti musicali di Ford. Adesso la scatola di cartone. Insomma, dopo anni di fantasmagoria tecnologica si tenta di rappresentare l'idea di auto come se provenisse dagli oggetti quotidiani, semplici, quasi infantili. Il pezzo fantastico, The car song, è di Woody Guthrie.
Client: Audi Agency: BBH, London Creative Director: Nick Kidney, Kevin Stark Creative: Maja Fernqvist, Joakim Saul Producer: Olly Chapman, Arvind Palep, Belinda Blacklock, Anna Lord Production Company: Passion Pictures/1st Ave Machine Director: Aaron Duffy/Russell Brooke Executive Producer: Serge Patzak, Michael Adamo Animation: Passion Pictures Music Artist: Woody Guthrie Song: The Car Song
