Leone d'oro Promo & Activations
2 Leoni d'oro Direct
2 Leoni d'oro PR
Coordown, Integration day - Saatchi saatchi
Leone d'argento, Leone di Bronzo Promo & Activations Leone d'oro, Leone di bronzo Direct Leone di bronzo PR
Montblanc. The beauty of a second - Leo Burnett
Leone d'argento Direct
Heineken. Reach the sunrise - Publicis
Da 25 anni Leo Burnett raccoglie in un reel le sue Cannes Predictions, spesso azzeccate. Qui ho inserito i casi - di tutte le categorie - che non sono nell'elenco del Gunn report. Via
01. Nike – Jordan “The Explosive Game” Wieden + Kennedy, New York, USA 02. Carlsberg “Bikers” Duval Guilaume, Brussels, Belgium 03. Sony — Playstation 3 “Michael” Deutsch, Los Angeles, USA 04. Canal+ “The Bear” BETC Euro RSCG, Paris, France 05. DirecTV “Cable Effects” Grey, New York, USA 06. Coca-Cola “Polar Bowl” Wieden + Kennedy, Portland, USA 07. Barnardo’s “Life Story” BBH, London, UK 08. P&G “Best Job — Olympics” Wieden + Kennedy, Portland, USA 09. Greenpeace “Oil On Canvas” Publicis Mojo, Auckland, New Zealand 10. Austria Solar “Solar Annual Report” Serviceplan, Munich, Germany 11. Mercedes-Benz “Invisible Car” Jung von Matt, Hamburg, Germany 12. Google “Google Wallet” RGA, New York, USA 13. LG — OLED TV “The Thief” Y&R, Amsterdam, Netherlands 14. Nike “Addiction” / ”Before & After” F/Nazca Saatchi & Saatchi, Brazil 15. Nike “My Time Is Now” Wieden + Kennedy, London, UK 16. Carling Black Label “Be the Coach” Ogilvy, Cape Town, South Africa 17. K-Swiss “MFCEO” 72andSunny, Los Angeles, USA 18. 7-Eleven — Slurpee “BYO Cup Day” Leo Burnett, Melbourne, Australia 19. Ubisoft – Just Dance 3 “Autodance” CP+B, Gothenburg, Sweden 20. BGH “Dads With Briefs” Del Campo Nazca Saatchi & Saatchi, Buenos Aries, Argentina 21. Doritos “Dip Desperado” AMV BBDO, London, UK 22. ESPN “Shake On It” Wieden + Kennedy, New York, USA 23. Google & OK Go “All Is Not Lost” Hakuhodo, Tokyo, Japan 24. The Village Voice “New York Types” Leo Burnett, New York, USA 25. Target “Little Marina” Mother, New York, USA 26. Organ Donor Foundation “Leila” Lowe Bull, Cape Town, South Africa 27. Intel “Museum of Me” Projector, Tokyo, Japan 28. Little Monster “Take This Lollipop” Tool of N. America, Los Angeles, USA 29. The Guardian “Three Little Pigs” BBH, London, UK 30. Australian Census “Spotlight” Leo Burnett, Sydney, Australia 31. Canal “The Man Who Lived In a Film” Try Reklamebyra, Oslo, Norway 32. Audi “The Swan” BBH, London, UK 33. Google Chrome “Dear Sophie” BBH & Google Creative Lab, NYC, USA 34. UNA — ONLUS “Hate” JWT, Milan, Italy 35. United Colors of Benetton “UnHate” 72andSunny, Los Angeles, USA 36. Troy Library “Book Burning Party” Leo Burnett, Detroit, USA 37. Harvey Nichols “Walk of Shame” DDB, London, UK 38. American Express “Small Business Gets an Official Day” CP+B & Digitas, Boulder & NYC, USA 39. John Lewis “The Long Wait” Adam & Eve, London, UK 40. Chipotle “Back to the Start” Creative Artists Agency/Chipotle, USA
Mancano pochi giorni all'inizio di Canneslions, che quest'anno ha anche cambiato nome. Non si chiama più International Advertising Festival ma International Festival of Creativity. E' scomparsa l'advertising?
Mah. Nel frattempo vediamo quali sono i candidati ai leoni secondo le ormai classiche Predictions di Leo Burnett.
Heineken “The Entrance” – Wieden + Kennedy, Amsterdam, Netherlands
Quest'anno CannesLions parte il 3 di giugno, un paio di settimane prima del solito. Vediamo se riusciamo nei prossimi giorni a beccare qualche possibile candidato ai premi. Non difficile per i commercial, un po' di più per cyber e titanium. Alcune cose le abbiamo già messe nel blog. Le riprendiamo.
Le responses di Old Spice. L'anno scorso il commercial ha stravinto, quest'anno le responses potrebbero vincere il cyber.
A hunter shoots a bear. Il più interessante 'video conversazionale' dopo Subservient Chicken.
Nike write the future. Non solo questo spot, ma tutta la campagna.
Mini stockholm getaway. Tra le idee geolocalizzate, una delle più coinvolgenti.
Sono un fan della Coca Zero, e per questo mi infilo spesso in polemiche. Tipicamente, i bevitori di Coca classica dicono che fa schifo, mentre io sostengo che il sapore è praticamente uguale. Specie con ghiaccio e limone. Ho anche fatto fare un assaggio 'blind' a mia nipote Benedetta, 10 anni, e qualche coetaneo, quindi molto affidabili sulle bibite, e il risultato è che non hanno saputo distinguere.
Real Coke Taste, Zero Sugar: it's possible è appunto il claim di questo espositore della Leo Burnett di Manila. Mi piace perchè non puoi non fermarti a guardarlo. Perchè il messaggio è chiaro e diretto. Perchè non sembra un fake, come la maggioranza delle cose che si trovano in adsoftheworld, ibelieveinad eccetera. Ricominciare a fare delle cose che sorprendono, piacciono e funzionano e non ci vogliono dieci minuti a capirle non sarebbe male.
Advertising Agency: Leo Burnett Manila, Makati City, Philippines
Creative Directors: Raoul Panes, Alvin Tecson
Art Directors: Mon Pineda, Farlet Vale, Steph Mangalindan
Copywriters: Therese Endriga, Cey Enriquez
Una deliziosa presa in giro degli animalisti in una mini-saga del rum australiano Bundaberg. Nel primo spot, i padri fondatori della distilleria Bundaberg intervengono per aiutare un golfista a eliminare un coccodrillo, nella seconda chiedono scusa per il povero coccodrillo, e nella terza chiedono scusa per le loro scuse insincere. Nel terzo film, occhio alle valigie.
Un misto di paradosso, humor inglese e gag ricorsive alla Monty Phyton: 'We apologise again for the fault in the subtitles. Those responsible for sacking the people who have just been sacked have been sacked'.
Bundaberg nel canale di Youtube si racconta così: Back in 1888, a band of sugar millers faced an overwhelming oversupply of molasses and came up with an ingenious solution: Bundaberg Rum. But what would happen if they applied their thinking to today's problems?
Mancano 3 giorni a canneslions. Quindi, quali saranno i vincitori dei premi più significativi? Proviamo a buttare là qualche ipotesi, mentre aspettiamo la classica release di Leo Burnett. Nike Write the Future è uno dei miei favoriti. Sarei sicuro sul Nokia World's Biggest Signpost. Ma anche Nike Livestrong Chalkbot. E The Fun Theory. Poi, pescando qua e là:
Non c'è scampo con la tecnologia. Hai appena archiviato il vecchio plasma per quello HD che escono il Sony con la connessione internet e il Samsung Led 3d. Per non parlare del Philips Carousel 21:9, che ha debuttato oggi su Youtube e Facebook con i nuovi due film Parallel Lines. E l'I-Pad? Non si può inseguire ogni innovazione. Bisogna resistere. Almeno finchè non si dimezzano i prezzi.
Advertising Agency: Leo Burnett, USA EVP/ Executive CD: Bob Price Executive CD: Mark Gettner CD: Mike Doyle SVP/ EP: Vincent Geraghty SVP/Account Director: Trent Buterbaugh Account Director: Melanie McCord Behling Prod Company: Rabbit Director: TWiN DP: Mauro Fiore EPs: Douglas Howell, Joby Barnhart Head of Production: Jeff Sommar Producer: Shelby Ross Production Supervisor: Jay Spangler Asst. Production Supervisor: Lana Greenaway Editorial: Union Editorial Editor: Jim Haygood EP: Michael Raimondi Post/Effects: Digital Domain
E' uscito ieri il report Big Won 2009, che riassume in alcune classifiche il meglio della creatività mondiale attraverso i maggiori premi. Varie cose interessanti da riprendere.
'What is emerging is a new kind of advertising, which is characterised by “ideas people want to be part of.” ‘Best Job in The World’ is exactly that, an idea that encourages participation. So too does Leo Burnett Toronto’s brilliant ‘Share our Billboard’ work for James Ready. Crispin Porter’s ‘Whopper Sacrifice’ is a great example of a wildfire idea that spreads fast across social media. BBDO New York’s ‘The Cube’ for HBO, Shackleton’s ‘Barrilete Cosmico’ for Caja Madrid, DDB Berlin’s ‘Navigation Letter’, Ogilvy Frankfurt’s disturbing installations for ANAD and AIM Proximity’s ‘iPhone Jonny’ and ‘Yellow Treehouse’ are all inspirational new ways of engaging consumers in new places.
The Big Won 2009 - The top campaigns by total creativity
1. Best Job in the World Tourism Queensland SapientNitro 200 2. Wallace & Gromet Harvey Nicholls DDB London 134 3= Share our Billboard James Ready Leo Burnett Toronto 108 3= The Store that Sells Hope Red Cross Portugal Leo Burnett Lisbon 108 5. Dance T-Mobile Saatchi London 101 6. Trillion Dollar campaign The Zimbabwean TBWA Hunt Lascaris Jo’burg 98 7. The Yellow Treehouse Yellow Pages AIM Proximity Auckland 97 8. Magic salad plate Four n’ Twenty Pies Clemenger BBDO Melbourne 96 9. TED 696 Project Lion Nathan BMF Sydney 94 10. Two Worlds campaign Jeep Proximity BBDO Malaysia 92
Looking at the Top Campaigns for the year, ‘Best Job in the World’ leads the field by a distance. This is because it is one of those ideas that defies categories. It has won major awards in Direct Marketing, Digital, Integrated and Alternative and Innovative media categories.
It is the same with most Top 20 campaigns. To score highly, they have to work across different media.
Leo Burnett Lisbon’s ‘Store that sells Hope’ for the Portuguese Red Cross at No.3 won awards for Press, Direct, Design, Integrated and Alternative and Innovative. Saatchi London’s ‘Dance’ idea for T-Mobile at No.5 won Media awards as well as prizes for Direct, TV, Digital, Alternative and Innovative and Integrated.
The Trillion Dollar campaign for The Zimbabwean from TBWA Hunt Lascaris Johannesburg similarly won awards in Poster advertising, Direct, Design and Integrated categories.
Even the ‘Share our billboard’ campaign for James Ready from Leo Burnett Toronto won a few awards outside Poster categories – in Media.
The highest-ranking piece of film is Droga5’s ‘The Great Schlep’ for the Obama campaign at No.11 but that won in Direct, Digital, Alternative and Innovative and Integrated categories as well as TV and Film.
Even Crispin Porter Bogusky’s ‘Whopper Sacrifice’, a pure online idea, won in Media and Alternative & Innovative categories as well as Digital.
What seems to be common to many of the top-ranking campaigns is that they have some sort of consumer experience woven into their fabric.
The Store that Sells Hope was exactly that, a shop in Lisbon. ‘The House of Imagination’ from Heimat Berlin was also a store, but more of a memorable event for the 100,000 people who visited it than anything. ‘The Yellow Treehouse’ idea from AIM Proximity Auckland got people watching a young woman set about building a restaurant in a tree – and then got them to dine there. ‘Dance’ was a startling example of street theatre which has inspired many Youtube imitations.
That said, there are some high-scoring ‘traditional’ campaigns in the Top 20, chiefly DDB London’s ‘Wallace and Gromet’ campaign for Harvey Nicholls Bristol and BBDO Proximity Malaysia’s ‘Two Worlds’ work for Jeep.
These are ideas that double-up their points tallies by winning in both Press and Poster categories.
One of the ongoing problems with scam for awards shows is that many agencies see it as a no-brainer to enter every press ad in Poster categories as well.
However, obvious scam does seem to be less evident in 2009 than in previous years. Perhaps juries have been tougher, especially in Asia Pacific where the number of award winners in print has dropped from 2008 levels.
The issues for the year(s) ahead seem to be:
* No-one owns digital any longer. The best online work has consistently come from traditional agencies. And while AKQA London has the top digital campaign of the year (Fiat’s eco;Drive), for digital specialists, the writing is on the wall. Stay as digital specialists and you will soon become little more than production houses.
* Direct is becoming vital in building brand momentum as well as sales success. Witness almost everything the Obama team did in 2008/9 and almost everything Madrid agency Shackleton is doing.
* Creative departments are the tails that wag their dogs. Most agency managers see how amorphous advertising is becoming but are in thrall to large numbers of people they employ with specific craft skills. Outsourcing and crowdsourcing are on the increase.
* Media agencies will continue to compete with creative agencies not just for the right to devise strategy but to execute the ideas well.
Per Camilla, sta facendo una tesi sul crowdsourcing.
Agency: Leo Burnett, Sydney Executive Creative Director: Andy DiLallo Executive Creative Director: Jay Benjamin General Manager: Peter Fitzhardinge Senior Creative: Gary Dawson Executive Producer: Adrian Shapiro Business Director: Tamara Klemich Production Company: Revolver, Sydney Director: Steve Rogers Executive Producer: Michael Ritchie Producer: Georgina Wilson DP: Greig Fraser Editor: Alexandre de Franceschi @ Guillotine Production Designer: Steven Jones-Evans Post-Production: Leoni Willis for Animal Logic Sound: Simon Kane for Song Zu Music: Soundtree, UK
Quest'anno non ho un favorito. Quindi sto cercando in giro per capire cosa possa succedere. Una classica fonte di informazione è la Leo Burnett cannes prediction reel, che non è sempre facile da trovare, ma che invece si può vedere sul sito della LB di Lisbona. Ecco l'elenco. Cosa dire. Ci sono film, virals, mobs, facebook apps, sculture ottiche, di tutto di più. Quasi tutti li avevo segnalati nel blog. Ma non è più così facile fare una previsione. Se devo dire, quelli che più mi piacciono, mescolando un po' di tutto, sono Carousel, Whopper Sacrifice, Dance, This is not a jersey, There Can Only Be One, Sprint Plug Into Now, Burger King Whopper Virgins, Canal Plus, Whodunnit, Nintendo Wii Wario Land, Diesel Dirty 30, Ephemeral Museum, Conversations form inside, Eco drive, Kinetic Sculpture. E vediamo.
1)"Go On Lad", para Hovis de MCBD Londres (UK) 2)"Fate", para Nike de Wieden + Kennedy Portland (USA) 3)"Naturists", para Comfort Detergent de Ogilvy & Mather Londres (UK) 4)"Foam City", para Sony de Fallon Londres (UK) 5)"The Best Job In The World", para Tourism Queensland de CumminsNitro (AUSTRALIA) 6)"Chorus", para FLAT-TV Loewe Individual Compose de Scholz & Friends (ALEMANIA) 7)"Oasis - Dig Out Your Soul", para Warner Brothers Records de BBH NY (USA) 8)"Dance", para T-Mobile de Saatchi & Saatchi Londres (UK) 9)"Fight", para Volkswagen Golf de DDB Londres (UK) 10)"Break The Cycle", para Barnardo's de BBH Londres (UK)
12)"Whopper Sacrifice", para Burger King de Crispin Porter + Bogusky Boulder (USA) 13)"Kiss Cam", para Mentos de BBH Londres (UK) 14)"Secrets and Lies", para Levi Strauss de BBH Londres (UK) 15)"Get It On", para Durex de Fitzgerald + CO Atlanta (USA) 16)"Break Up Service", para Adidas Safety Collection de TBWA\Londres (UK) 17)"Hotel 626", para Doritos de Goodby, Silverstein & Partners SF (USA) 18)"Thread - This Is Not A Jersey", para Adidas All Blacks de TBWA\Tequila Auckland (NUEVA ZELANDA) 19)"There Can Only Be One", para NBA de Goodby, Silverstein & Partners SF (USA) 20)"Love At First Flight", para Virgin Atlantic 25 YEARS de RKCR / Y&R Londres (UK) 21)"Doghouse", para JCPenney de Saatchi & Saatchi NY (USA) 22)"Now Widget", para Sprint de Goodby, Silverstein & Partners SF (USA) 23)"Melody of Life", para Thai Life Insurance de Ogilvy & Mather Bangkok (TAILANDIA) 24)"House of Cards", para Shelter de Leo Burnett Londres (UK) 25)"Whopper Virgins", para Burger King de Crispin Porter + Bogusky Miami (USA) 26)"Dog Fish", para Volkswagen de Almap BBDO (BRASIL) 27)"The Great Schlep", para Jewish Council for Education & Research de Droga5 NY (USA) 28)"Empanada", para Pepto Bismol - P&G de Lapiz / Leo Burnett Chicago (USA) 29)"Versailles / Mafia", para CANAL+ de BETC Euro RSCG París (FRANCIA) 30)"Whodunnit?", para Transport for London de WCRS Londres (UK) 31)"Wario Land Shake It!", para Nintendo de Goodby, Silverstein & Partners SF (USA) 32)"Bruce Lee Ping Pong", para Nokia N96 de JWT Beijing (CHINA) 33)"Diesel SFW XXX", para Diesel de The Viral Factory Londres (UK) 34)"Man Made Machines", para Himani de Publicis Ambience Mumbai (INDIA) 35)"Carousel", para Philips de Tribal DDB Amsterdam (HOLANDA) 36)"Unbox The Box", para Audi Q5 de BBH Londres (UK)
37)"Ephemeral Museum", para Pampero Rum - DIAGEO de Leo Burnett Lisboa (PORTUGAL)
38)"So Cute", para Axe Shower Gel de Ponce Buenos Aires (ARGENTINA) 39)"Here I Am: Conversations From The Inside", para Nike Women de W+K Amsterdam (HOLANDA) 40)"Beauty Bowling", para Esthe Wam - Hair Removal de Ogilvy & Mather Tokyo (JAPON) 41)"Share Our Billboard Campaign", para James Ready de Leo Burnett Toronto (CANADA) 42)"Scooter", para Telus - Canadian Film Centre de Doug Agency Toronto (CANADA) 43)"eco:Drive", para Fiat de AKQA Londres (UK) 44)"Tailor", para Skittles de TBWA\Chiat\Day NY (USA) 45)"Woman Whisperer", para Carlton Mid de Clemenger BBDO Melbourne (AUSTRALIA) 46)"Kinetic Sculpture", para BMW de ART+COM Berlín (ALEMANIA) 47)"Absolut Machines", para Absolut Vodka de TBWA\París (FRANCIA) 48)"Pure Waters", para James Boag's Draught de Publicis Mojo Sydney (AUSTRALIA)
49)"The Hope Store", para Red Cross Portugal de Leo Burnett Lisboa (PORTUGAL)
50)"Obama For America", para Presidential Candidate Barack Obama de Obama For America (USA)